Archetypal Hitchcock Women in 'Strangers on a Train' and 'Rope'

The Marriageable Brunette, The Girl Who Wears Glasses, and The Society Dame -- these are the three archetypes Laura Ivins discovers as she looks at two of Alfred Hitchcock's most complex works, Rope (1948) and Strangers on a Train (1951). Visit IU Cinema's A Place For Film to read the accompanying blog post:

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